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From the earliest I can remember, I’ve always loved music. Exclusive interview with songwriter, singer and entertainer Paul Loren


Interview by Tiziano Thomas Dossena

Paul Loren is a singer, songwriter, producer, and consummate entertainer. A native New Yorker, Paul was raised on the rich legacy of soul, classic pop, and the Great American Songbook, and in those musical idioms, he feels most at home.

Tiziano Thomas Dossena: Hello Paul. I heard so much about you and wanted to find out more about your singing career. When did you start to show interest in music?

Paul Loren: From the earliest I can remember, I’ve always loved music. I don’t think there was a time when music wasn’t part of my world. Maybe I was three or four years old when I started singing.

Tiziano Thomas Dossena: Having worked with him many years ago, I know your father was an excellent showman himself, although not a singer. Did his background sway you at all toward music and entertainment?

Paul Loren: Probably by osmosis, yes! Looking back, it was just unavoidable to see my father up on stage (with the band) and not be enthralled by it all. I guess in some ways, show business was in my blood.


“I know a place”. Click on the image to view the video


Tiziano Thomas Dossena: Your parents are both Italian Americans. How much did being Italian American influence your life and career choices?

Paul Loren: Being Italian, I come from a very creative stock. My ancestors were from the South and were able to make a whole lot out of very little. My father comes from a small volcanic island, Panarea, off the coast of Sicily. Every time I set foot on that soil, I do feel a certain music and rhythm in it—maybe it’s the sea, the tides, the volcano (Stromboli)—or maybe I’m a musician and I’m just looking for it. But I think it’s there, it’s inevitable. The same with my mother. Part of her family came from near Naples, and those old Neapolitan songs are woven deeply into my identity.

Tiziano Thomas Dossena: Excuse my stereotyping, but most Italian men love to cook. Do you? Do you have any hobbies?

Paul Loren: The kitchen is my second home, apart from the stage. Maybe even my first! Tonight, for example, I made a ‘spaghetti al tonno’ for dinner. Quick, easy, and delicious. Nothing beats Italian food for showing off fresh ingredients that are seasonal. If I have the day off from performing or the recording studio, I spend it mostly in the kitchen.

Tiziano Thomas Dossena: You completed your first headline tour in 2019, after having performed as a support artist for The Temptations, Brendan James, American Idol winner Taylor Hicks, and David Bromberg. It was extremely successful, selling out Joe’s Pub at the Public in NYC multiple times. Since then, you were asked by Jennifer Lopez to perform at her Birthday Gala in Las Vegas, showcased at The SoHo House NYC, were a featured artist at the AAA Radio Convention in Boulder Colorado, and shared the stage with Paul Shaffer, Queen Latifah, and Christie Brinkley at Target’s launch event for New York Fashion Week. It seems you are fully recognized for your singing talent. How difficult was the transition from support to headline artist?

Paul Loren: I’m very grateful for the folks that support my music, and when real ‘touring’ or roadshows come back safely I can’t wait to headline again. The transition is a career-long process, I think. It has taken many years, and will probably take many more. I’m ready and excited, however. I hope to keep growing a larger audience and perform for more and more people every year.

Tiziano Thomas Dossena: Your appearance on “The Tonight Show starring Jimmy Fallon” showcased your talents for millions of viewers. Was this a very emotional experience for you and your family and friends?

Paul Loren: It truly was. Emotional in the sense that I was really honored to be up on that stage, and given a real chance to be myself under pressure. It felt like a small victory after years in the business. I’m glad friends and family enjoyed it as much as I did.

L’Idea Magazine: Matt Micucci, on Jazziz Magazine, stated that you evoked “smoky jazz club atmospheres and early-Sun Studios Elvis records with your new, tender ballad ‘Nighttime (Is the Loneliest Time).’” Can you tell us what inspired you to write this song?

Paul Loren: That song came very quickly to me, and actually I wrote it around midnight in maybe 15 minutes or so. It definitely reminds me of the standards that I’ve always loved, like Sinatra’s “In the Wee Small Hours” or a classic country song like Ernest Tubbs’ “Walking the Floor over You.” It’s that age-old theme: “I can’t sleep a wink because my love isn’t here with me.”

Tiziano Thomas Dossena: They say that at the beginning of your solo career, you took “elements from early R&B, jazz, and Brill Building pop and with them crafted your music with an ear towards timelessness.” Do you agree with that statement? Do you feel that you are somehow, musically speaking, an ‘old soul’?

Paul Loren: I definitely grew up listening to timeless American music from the 50’s and 60’s—all mid-century pop, no matter the genre. When I launched my solo project, it was a conscious decision to pay homage to the music I loved so much, but also make it contemporary—writing and singing about my own life, currently. At some point, my buddy and business partner Evan just started calling me “Mr. Leisurely”—maybe because I reminded him of those old-school Rat Pack entertainers, and the name just stuck. While I do prize my ‘leisure time,’ most days I find myself quite busy and hectic with work!

Tiziano Thomas Dossena: You had the rare opportunity to record in the world-renowned Sun Studio in the same room as Elvis Presley, Johnny Cash, Jerry Lee Lewis, and so many other pioneers of Rock and Roll. They say that for a singer it is a unique, unrepeatable event. Was it so for you?

Paul Loren: It really was extraordinary. When you walk into that small studio, you can feel the weight of history and the ghosts of the greats all around you, or at least I could. It’s amazing to me how much enormously influential music and giant personalities started in such a tiny space.

Tiziano Thomas Dossena: Your single “We’ll Be Together Again,” written and recorded at home during the early spring of 2020, was defined as a beacon of hope for those affected by the uncertainty of a tumultuous year. I was told that all of the proceeds from the song have been sent to a COVID-19 relief charity. Is it so?

Paul Loren: Yes, it’s all true. I wrote that song the very first week of our New York City shelter-in-place lockdown, in March of 2020. It’s funny to hear the song now and imagine that it was not so long at all after the lockdown that I wrote it. (I can’t believe we’re still living with it all a year-and-a-half later.) But I think it holds true to this day. Many of us have actually had the chance to be ‘together again,’ while others have simply not. Regardless of the circumstance, it is indeed a song of hope and optimism.

Tiziano Thomas Dossena: There is something completely new in your last recordings, isn’t there?

Paul Loren: Like so many of my fellow musicians and entertainers in this last year, I’ve faced lots of cancellations and some real career uncertainty. Pairing that with some personal obstacles, and it definitely gave me a lot to write about! About 25 songs came pouring out of me during the spring and summer of 2020, all of them digging into some deeper truth than my previous material, I’d say. I recorded two albums’ worth of material, each with 11 songs, and both telling the story of my life in 2020 as it happened.

Tiziano Thomas Dossena: So, your new album “Betwixt” is coming out in the fall, but your first single from that album, “No Room For Yesterday” got off to a hot start on ‘Spotify’s Indie Music Playlist’. Could you tell us more about it?

Paul Loren: Yes. “Betwixt” comes out on October 22nd—the first of the two albums. “No Room For Yesterday” is a classic rockabilly-influenced song that imagines life in a time of scarcity… much like we’ve known it this last year and a half. But even in scarcity, it’s important to raise a glass and toast to the unknown. That’s what the tune is about. I thought it was a nice way to introduce my (slightly) new sound to an audience, and the album in general.

Tiziano Thomas Dossena: As I understand, “Marlena” is your second single and it has received a lot of praise, both from the critics and the public. Could you talk a bit about the birth of that song?

Paul Loren: The initial melody for “Marlena” came during a long road trip home to New York from Nashville in the spring of 2020. I was just humming it incessantly during the drive (maybe to keep myself occupied or awake!) and I didn’t end up finishing the song for another couple of months. In fact, the song was finished just 2 days before the actual recording session. But once I sat at the piano to finish it, it took less than an hour to write both the words and music. In some ways, the song seemed to write itself. Let’s just say that it was more than ready to be birthed after those 2 months in gestation!


Tiziano Thomas Dossena: Could you tell us more about the other songs in this album?

Paul Loren: Another favorite of mine on the record is a song called “An Evening Such As This” which actually started as a poem first. That’s very rare for me to write the words before the music, but in this case, I did. I love the way that one came out. There are some classic country-influenced tracks like “Isn’t Everything Enough?”—which references the Bakersfield, California sound of the 1960’s—and even a nod to Roy Orbison with the song called “Come Back Around.” It’s all some new musical territory for me, but all very natural.


Thomas Dossena: A companion album, “Between”, will be released in 2022. Could you tell me more about that?

Paul Loren: Yes, “Between” is ‘Volume 2’, I’d say. Both records were actually made at the same time, and I only split them up when I sequenced them—otherwise, they would’ve been combined into one big double album… hey, maybe we’ll release a ‘collector’s version’ on vinyl of both “Betwixt & Between” at some point!

Tiziano Thomas Dossena: You also had a weekly online music show…

Paul Loren: That’s correct! I played every Monday evening from mid-March 2020 until the end of that June—15 weeks of livestream concerts on both Instagram and Facebook Live. I took song requests from fans and played some of my own favorites. The repertoire seemed to be very musically diverse. In one show alone, I’d play perhaps a Whitney Houston, Elton John, or even an Everly Brothers song.

Tiziano Thomas Dossena: Any other projects you are working on at this time?

Paul Loren: Partially inspired by last year’s livestreams, I’m currently working hard on 20 new cover songs in the studio. The song selections are also really all over the map, ranging everywhere from Hall & Oates to Madonna to Tina Turner—all songs I’ve grown up with and seem slightly out-of-the-box for me as an artist… but that’s the fun of it. They’re pleasantly surprising. I can’t wait to share some of these covers with everyone.


“No room for yesterday”. Click on the image to view the video
Tiziano Thomas Dossena: Any future concerts our readers should know about?

Paul Loren: I’ll be hitting the road in early 2021 with my band—I’m truly excited to perform all these new songs live in front of audiences around the U.S. and even internationally. We’ll be posting all the dates to my website, so stay tuned!

Tiziano Thomas Dossena: Would you define yourself as a singer or an entertainer?

Paul Loren: I’d probably call myself a ‘songwriter’ and ‘recording artist’ first. The singing and entertaining are really done in service to the songs and I often think of them as secondary, or better yet, serving the higher purpose of the song itself. The record-making process is also very important to me, and again, it’s all done in service to the song.


Tiziano Thomas Dossena: Your dream?

Paul Loren: I’d love to keep sustaining myself with my music and art. I’m grateful to have made a life out of it for all these years, so far, and hope to keep doing it even better and bigger—to keep growing a larger sustainable audience—one who really connects with what I make and release.

Tiziano Thomas Dossena: Could you try to describe yourself with only three adjectives?

Paul Loren: Hmmm, ok…! Curious. Intentional. Patient.


Tiziano Thomas Dossena: If you had the opportunity to meet an individual from the past or the present, who would that person be and what would you like to ask?

Paul Loren: Well, my answer might change every day (there are so many fascinating folks to choose from!), but today I’m going to have to say, Louis Armstrong. I’d like to know how he kept it all together, especially in the segregated show business (and America) of the early 20th century, and what made him persevere—both musically and in life.

Tiziano Thomas Dossena: A message to our readers?

Paul Loren: I’d like to thank them all for their interest, and do hope they enjoy my new music. If we have some fans of cocktails out there, specifically drinks that include amari, aperitivi or bitter(s), they can follow me on Instagram and/or YouTube where I post many recipes for fun. The Negroni happens to be my favorite drink and in addition to music, making delicious cocktails and discovering new amari is a real passion of mine. Grazie tante!

Hire the most experienced hands on Broker- Jim Turano


Now celebrating his 42 year in the Real Estate Business.

Over 4,000 written appraisals to date completed.

Appeared in New York State Supreme Court as an expert

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During Pandemic Jim Turano is offering to family members

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A Middle Village resident since 1965.

Past President of Kiwanis and Lions business club

Past Vice Commander of Luke J. Lang Veterans Organization.

Awarded by Senator Addabbo New York State

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Important info on closing costs when selling a home. Jim Turano

So besides hearing from a sales agent how much commission, or length of time for them to get the exclusive from you, do they explain your closing costs to you?

From 42 years ago until today, I always explain to the seller the closing costs involved when selling a home.

And I always mention it takes 60-90 days to sell a home that is properly priced to begin with. Anyone asking for 6 months contract to sell your home is not in your best interest.

Closing Costs are Tax deductible.

Lions share of closing costs is first the Commission

Next is City Tax, State Transfer Tax, and your attorney fee.

Selling a home for about $850,000, your closing costs is approximately $39,000 dollars leaving you a net of

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Open up a Smoothie Business and make real money!

Okay here is a simple business to open and make money.

A Smoothie Business

You need only about 500 Sq. Ft. On a very busy Avenue.

Your hours average 10 a.m. to 10p.m.

The key is to be in a great busy area but one where

the homes and schools are plentiful. An area that has high traffic and high Pedestrian Traffic.

Area to Consider: Middle Village

Metropolitan Avenue has four Banks, Supermarket, Restaurants, and is extremely busy compared to other areas.

Business is simple. Products brought to you.

More people are Health Conscience than ever before.

Affordability along with a fair rent and fair rent increases equals success.

Keys… near a bus stop. On the way to school or coming back from school. Near Nursery and pre schools.

Senior Citizens would flock to this type of product.

Middle Village is a key location to consider.

If you can get a rent between $2,100 to $2,200 dollars

to be on Metro in a move in condition store you are all set.

October 22,2021

Store on Metro for Rent!

500 sq ft Move in condition

Rent Asking $2,400

Rent increases only $50.00 yearly

Best advice given from Broker in the

Business for 42 years.

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Calendar

Still to Receive American Horticultural Society’s Honor June 10

COLUMBUS, Ohio — Steven Still was “green” before green was cool.

Nearly four decades ago, Still earned his doctorate at the University of Illinois by examining if waste hardwood bark, instead of being burned or dumped by distilleries that use the wood for whiskey barrels, could be used as a growing medium.

“Since then, this has become a normal practice” say Still. And over the years, Still has make his mark on the horticultural industry, teaching and advising students as well as writing a textbook that has become a standard in horticultural classrooms, “Manual of Herbaceous Ornamental Plants.”

Still’s lifetime of accomplishments will be recognized June 10 as the American Horticultural Society grants him its highest honor, the Liberty Hyde Bailey Award, at its annual American Gardeners Awards Ceremony in Alexandria, Va.

Bill Randle, chair of Ohio State University’s Department of Horticulture and Crop Science, said the award is a reflection of Still’s lifelong commitment to the ornamentals industry, “from the teaching, the research and scholarship he has done, to how he’s communicated his knowledge with the community at large. It truly is a lifelong achievement honor.”

Still said his interest in horticulture began in his parents’ vegetable garden, where he earned national 4-H honors at the age of 14. All his time was spent on studying and on cheap write my essay, time for new hobby has not remained. The study was his passion, he liked new research in which he received interesting data from this area. He also enjoys remembering his time in his two-room grade school in Plainview, Illinois, his rural but active high school, and his undergraduate and graduate education at the University of Illinois.

Still began his Ohio State University career in 1979, after teaching for five years at Kansas State University. Now a professor emeritus, Still remains active advising students and serving as executive director of the 1,400-member international Perennial Plant Association, based in Hilliard, Ohio, which he helped form in 1984. Still has also served as a leader in many other organizations, including the Ohio Nursery and Landscape Association, the Garden Writer’s Association, the Eastern Region International Plant Propagators Society and the American Horticultural Society. In addition, Still was the first director of Ohio State’s Chadwick Arboretum and Learning Gardens; in 2007, the Steven M. Still Garden in the arboretum was dedicated in his honor.

But Still says, in looking back over his career, he is most proud when he observes what his former students have accomplished, particularly in the publishing arena. Among them:

– Tracy DiSabato-Aust, who lives in nearby Sunbury, Ohio, is the author of the best-selling “The Well-Tended Perennial Garden” and several other books, and speaks internationally on garden topics.

– Debra Knapke has co-written several books on gardening in Ohio and the Midwest, including “Perennials for Ohio.”

– Denise Adams, who earned her Ph.D. under Still, has become a widely known ornamental plant historian and wrote, “Restoring American Gardens: An Encyclopedia of Heirloom Ornamental Plants, 1640-1940.”

What to look for when buying a home. Key important items.

There is a reason for everything. Low price is nice, but does the area have top rated schools? What about shopping, drive up and down the area for a mile. No supermarkets, a big inconvenience. No nursery schools or big drugstore chains?

You don’t want to purchase a home and have to go to another area for supermarkets, schools, etc..

Check also for Dentist, Medical Doctors, specialists, Pediatrician offices, after school programs, and basically Convenience.

Area to Consider strongly is MIDDLE VILLAGE.

3 Supermarkets, Butcher Shops, Nursery Schools, top rated

Public schools, Franchise Drug Stores, Bakeries, Pizzerias,

Express buses to Manhattan. M Train, 5 bus lines.

8 Nail Salons and 5 beauty parlors, 4 men’s barber shops.

A ten block long Park. Access to 5 major highways.

1 Families range from $650,000 to $1.2 million dollars.

2 families range from $850,000 to $1.6 million dollars.

Mortgage Rates-Still at 3.225% for 30 years.

And if your selling an investment property now is the time.

A year from now they may do away with 1031 exchange

tax benefit deferrals.

Any further questions, please call a 42 year experienced

Broker, Jim Turano, Diverse Real Estate, 1-347-837-9206

Thinking of selling, get a Free Estimated Value of your property. Know your closing costs.

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Most top Commercial well know outfits automatically Co- Broke to Jim Turano of Middle Village. Decades of building a business relationship. Quick example, two years ago, Capital One Building came up for sale in Middle Village. In one week, Jim Turano sold it.

Being eager and aggressive in the business creates Happy Endings. With 42 years in the business, Jim has a long list of Investors and either attains what his buyers need or when given the opportunity by Top outfits, he pounces on the listing immediately.

One of the first Brokers who placed on Grand Avenue and Metropolitan Avenue Franchise businesses. But once tasting making the actual Commercial Deals, of $1 million to $25 million, there is no better feeling in the business when you get to the closing table.

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347-837-9206 *Celebrating 42 years in Business

Italian Charities of America held its 85th Annual Dinner Dance.

Queens, New York – On October 24, 2021, Italian Charities of America held their 85th Annual Dinner Dance at the Roma View in Howard Beach, Queens.
Italian Charities of America is a nonprofit organization located in Elmhurst, Queens that promotes Italian American culture, heritage, history, and language as well as events for the local community since 1936. As in the past, Italian Charities of America honored distinguished notables who have been an instrumental force in preserving Italian American culture and heritage.
Cav. Joan Marchi Migliori, Director for Community and International Programs and CUNY/Italy Student Exchange Program at the Calandra Italian American Institute and Program Chair for the Italian Heritage and Culture Committee-NY was presented with the Christopher Columbus Award for successfully bridging the cultural connection between Italy and America in countless ways.


Joan Marchi-Migliori receiving the Christopher Columbus Award

Giovanni P. Silvagni, Esq. owner/founder of law firm Silvagni and Como, Attorneys at Law, PLLC. and Vice President for the Associazione Culturale Italiana di New York received the Italian American Humanitarian Award as a testament to his exemplary public servant role in assisting Italian American families and his involvement in numerous Italian American and community organizations.


Giovanni P. Silvagni, Esq. receiving the Italian American Humanitarian Award

Mary Christine Modica, President of Cellini Lodge No. 2206, Order Sons and Daughters of Italy in America received the Italian American Leadership Award for being a true leader in her many roles within the lodge and state level of the OSDIA to benefit the Italian American community.


Mary Christine Modica receiving the Italian American Leadership Award

Tiziano Thomas Dossena, Editorial Director of L’Idea Magazine and Idea Press, and Editor-in-chief of OperaMyLove and OperaAmorMio magazines, received the Lifetime Achievement Award for his tireless and lifelong dedication in documenting and highlighting through his work the richness of Italian culture and heritage for present and future generations.


Tiziano Thomas Dossena (with wife Nicoletta) receives the Lifetime Achievement Award Ffrom italian Charities of America’s President Domenic Giampino.

Stanislao G. Pugliese, PhD, a professor of modern European history and the Queensboro Unico Distinguished Professor of Italian and Italian American Studies, received the Renaissance Award for educating, inspiring, and revitalizing interest in Italian and Italian American history and heritage through his teachings and published works.


Dr. Stanislao Pugliese (with wife and mother) while receiving the Renaissance Award.


Deputy Consul Riccardo Cursi while thanking the organizers Domenic Giampino, Alan Hartman, and Josephine Manzella for their work with Italian Charities of America.

In attendance, many members of several prominent Italian American organizations in New York as well as special guests; Deputy Consul Riccardo Cursi from the Consolato Generale d’Italia NY, and Queens Borough President Donovan Richards, who presented President Domenic Giampino with a Proclamation for Italian Charities of America.


Italian Charities of America’s President Domenic Giampino receiving the Proclamation from Queens Borough President Donovan Richards. To the right, It. Charities’ Vice President Alan Hartman.
President Domenic Giampino said, “Celebrating 85 years of promoting Italian American Heritage, Italian Charities of America is committed to its mission for present and future generations of Italian Americans. This year we honored 5 great Italian Americans that exemplify great strength and dedication to Italian American heritage.”

Vice President Dr. Alan Hartman said, “Our 85th Dinner Dance was a beautiful, joyous, and well-attended event. It also showed how Italian Charities of America journeyed through the challenges of the pandemic with success and is now ready to commence a new period of growth and outreach.”


Deputy Consul Riccardo Cursi, Italian Heritage Cultural committee president JosephSciame and Queens Borough President Donovan Richards
Queens Borough President Donovan Richards said, “Our Italian American community is important to us and the Italian Charities of America have preserved the Italian culture and heritage traditions in #Queens. Family is what defines Italian Charities of America, empowering one another to help each other in not just a traditional aspect but a communal one as well. We are grateful for our Italian family and all they have done for the Queens community thus far. Congratulations to Italian Charities of America on their 85th Annual Dinner Dance!”

Con Ed customers see spike in utility bills

When Silvia Hsu opened her latest Con Edison utility bill, her heart dropped.

She was expecting her electric and gas bill to be around its monthly average of $250, but instead she received a bill for $670.

Hsu isn’t alone, as New Yorkers saw a spike in their energy bills for the month of January with cold weather creating an increased demand for natural gas.

Silvia and Kevin Hsu, tenants of an Astoria apartment building, called the utility company but were told that Con Ed couldn’t do anything about it.

“Purely from a resident perspective, what are we supposed to do?” asked Silvia. “We can’t afford this. Are they going to come in and give us some aid?”

Dimitri Kantzoglou, the building manager for the 36-unit apartment building, also says a tenant received a $14,000 bill from Con Ed before requesting a new and revised bill.

The utility company has yet to issue the tenant a new bill, he says, but a field technician is scheduled to visit the building on February 23. Another tenant in the building, George Tzoganakis, received a $300 bill for his 500-square-foot apartment.

“Personally, I’ve taken my bill off the automatic payment system because I don’t want to pay this bill until somebody comes and there is a final resolution,” said Kantzoglou. “I’m just waiting until the 23rd to see what happens.”

In his own first-floor apartment, Kantzoglou says the energy consumption that was quoted is “completely wrong.” He spent November through the beginning of January at home recovering from a procedure on his knee. He says he sometimes used a plug-in space heater for additional warmth, which never created spikes in his prior bills.

“There’s no way I used more heat in January than in December,” said Kantzoglou, citing a 40 percent increase in energy use than the prior month. “I can understand spikes in prices, but the usage doesn’t make sense.”

In response, city and state officials are urging the utility company to review their billing policies and practices, as well as provided financial aid for New Yorkers.

“The extreme utility bill increases we are seeing across the state come at a time when New Yorkers are already struggling financially following the COVID-19 pandemic,” said Governor Kathy Hochul. “Even though the spike we are seeing in electricity, natural gas and fuel prices were predicted and are due to severe winter weather, I am calling on Con Ed to review their billing practices because we must take unified action to provide relief for New Yorkers, especially our most vulnerable residents.”

A February 11th letter from the Public Service Commission (PSC) to Con Ed requested a detailed review of their billing practices.

“While the PSC and the utilities cannot control supply prices, utilities can improve their procurement and billing practices to reduce the likelihood of dramatic price swings in the future,” said PSC chair Rory M. Christian. “We are requiring Con Edison to address this going forward.”

The utility company will comply with the requests.

“Con Edison is taking action to address the increase in energy supply costs and its impact on our customers,” said a spokesperson. “We are reviewing all of our practices that affect customer supply costs, including our energy-buying practices, the tools we use to reduce supply price volatility, the way we communicate changes in supply prices, and our programs to help customers who have fallen behind on their bills.”

Con Ed also sent out an email to its customers last Friday saying that bills may be higher this month, “even if you didn’t use more energy than usual.”

The company puts most of the blame on varying energy supply costs, which are out of their control.

“Con Edison buys energy on the wholesale market and provides it to customers at the same price we paid without a profit,” the email continued. “We don’t generate electricity.”

Bills received by Con Ed have both a delivery charge and a supply charge. The regulated delivery costs are approved by state agencies and are not subject to market changes.

The unregulated supply costs and fees are not set by Con Ed, and are collected and distributed without making a profit. By law, Con Ed is not allowed to earn a profit from selling electricity.

In January, the utility company filed for an increase for electric and gas rates with the PSC. The request would raise both electric and gas delivery rates at a cost of $1.2 billion and $500 million, respectively.

The new rates could become effective January 1, 2023.

Aid is available for New Yorkers via the Home Energy Assistance Program to avoid any potential service interruptions. Applicants must meet the eligibility requirements, which vary by income and household size.

For tenants like the Hsu’s, a warning of a larger bill would have been appreciated. Upon reading their latest bill, Silvia was hesitant to share the amount with Kevin.

“We are in a very tight spot financially,” she said. “I was born and raised here. I told him my entire life that I’d never move out of here. Now I’m like, why am I living here? You’re literally paying for a zip code.”

The effort to save NYC’s fading facades

Each year, nostalgic signs that are a work of art which tell a story, vanish from our city’s landscape. Last Friday, preservationists were proud to rescue the vintage H. Goodman Furs shop sign at 116-07 Queens Blvd in Forest Hills. This columnist facilitated a donation to the New York Sign Museum / Noble Signs, which was co-founded by visionary David Barnett. Also contributing to this project were preservation colleague Evan Boccardi, Forest Hills South Owners, Lovett Realty, and the new tenant, Chris, who opened Legit Fit NYC.

The sign will now be restored, re-illuminated, and displayed in the museum’s collection. Preservationists feel that if keeping a vintage sign on site is not an option, donate it to the NY Sign Museum for preservation, education, and appreciation.
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H. Goodman Furs’ history dates to 1908. It was founded by Hyman Goodman in the Bronx. Then it was acquired by his son Jack Goodman, followed by his son Marvin Goodman and wife Rosemary Goodman. This family business operated in Forest Hills from 1967 to 2020.

In the name of Americana, much is being lost annually. David Barnett said, “As recently as 10 years ago, there were several classic 20th century storefronts on every commercial block citywide, but now we are lucky to have a few in each neighborhood. The tide is shifting rapidly.”

Barnett is a 35-year-old artist who lives in Crown Heights with his wife and daughter. He was born in Queens and was raised in South Orange, NJ. Barnett and his partner Mac Pohanka launched Noble Signs in 2013 based on an appreciation of vanishing classic signage citywide. He explained, “Our goal was to bridge traditional methods and styles with contemporary design and technology, and create signs that were aesthetically pleasing and had a sense of context within the history of New York signage.” The team of six is based in East New York on Atlantic Avenue.

He called the H. Goodman Furs sign a really unique example of early plastic signage. He explained, “Starting in the 50s and 60s, acrylic became a popular way of adding depth to signage that had traditionally been entirely painted. The acrylic sheets were typically sketched directly onto or traced onto with letter templates, and then handout with a jigsaw. This sign is particularly unique because of both the unique typography, especially the serif letterforms that read ‘FURS,’ and the fact that it is a fully framed out lightbox sign with significant weight and depth, as opposed to a flat plastic sign.”

The sign’s face is acrylic panel with applied cut acrylic details. The letters are cut acrylic with silver trimcap, and the frame molding of the face is steel with a brass finish. The case is aluminum clad on a welded steel frame, and the interior has 8’ fluorescent ballasts and two large transformers. Interestingly, he said, “We found a screwdriver that someone left inside the sign.”

After spending weekends with his grandma in Middle Village, Barnett developed a love for New York’s storefront culture. He recalled, “Joining her on her daily walks along Metropolitan Avenue, I have fond memories of a variety of local businesses where everyone seemed to know each other, and we would wave to the baker, the butcher, and the deli owner as we walked past their shops. The signs were such a big part of that experience. As a designer, I have worked in print, and digital, but nothing has the tangible satisfaction of seeing the signs you produced when you walk around the city.”

Over the past 5 years, the team rescued around 20 full-size storefront signs and several smaller signs from the trash. Barnett explained some of their best acquisitions as the Quisqueya Supermarket sign from Eastern Parkway, the Premier Dairy sign from Myrtle Ave in Glendale, the Farmacia corner signs from Essex Street, the Raders sign from Pitkin Avenue in Brownsville, and the Essex Card Shop sign from the Lower East Side.

There is a wide range of sign styles that are not produced as often nowadays. Some are porcelain signs, vacuum form signs, trim-cap plastic letter signs such as H. Goodman Furs, Art Deco neon Signs with painted cases, hand-painted top signs, marquee bulb Signs, and step-down awning signs. Barnett said, “Some are out of style and some are too complex or time-consuming for most shops to want to have. With the exception of a couple that we are still working on, these are all styles we have tried to revive with Noble Signs.”

For the NY Sign Museum, preserving vintage signs signifies showcasing the rich history of individual expression and personal character that defined 20th century New York City. Barnett added, “They are an example of a time when craft and aesthetics were taken much more seriously by our culture, and because of that, they inspire joy in the people that view them. Many signs are in some way impossible to truly recreate since they incorporate materials from a supply chain that no longer exists. The quality of the materials themselves has gone down, but hopefully by preserving these signs, we can create a living library where designers and all people can be inspired. History and trends are cyclical, and we are optimistic that these classic styles will make a comeback within our lifetime.”

For now, the East New York sign shop accommodates a small display. Their short-term goal is to acquire space with storage, a display, and offices. As for the long-term, he said, “We would like a large enough space capable of displaying full NYC storefronts and their signs. We are open to any location within the 5 boroughs, but ideally within walking distance of public transportation.”

“Keep track of signs, and talk to your neighbors and landlords about saving and donating ones that matter to you and your community,” said Barnett.

The public can play a role in the museum’s future by participating in a fundraiser this spring, following @nysignmuseum, or contacting 646-450-0621 or nysignmuseum@gmail.com

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